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PAGE 497
Macbeth, exposition, 43, 45-6; conflict, 17-9, 48, 52; crisis, 59, 60; pathos and humour, 61, 391, 395-7; battle-scenes, 62; extended catastrophe, 64; defects in construction, 57, 71; place among tragedies, 82, 87-8, Note BB; religious ideas, 172-4; atmosphere of, 333; effects of darkness, 333-4, colour, 334-6, storm, 336-7, supernatural, etc., 337-8, irony, 338-40; Witches, 340-9, 362, 379-86; imagery, 336, 357; minor characters, 387; simplicity, 388; Senecan effect, 389-90; bombast, 389, 417; prose, 388, 397-400; relief-scenes, 391; sleep-walking scene, 378, 398, 400; references to Gunpowder Plot, 397, 470-1; all genuine? 388, 391, 395-7, Note Z; and Hamlet, 331-2; and Richard III., 338, 390, 395, 492; other references, 7, 8, 386, and Notes Z to FF. Macbeth, 13, 14, 20, 22, 28, 32, 63, 172, 343-5, 349-65, 380, 383, 386, Notes CC, EE. Macbeth, Lady, 13, 28, 32, 349-50, 358, 364, 366-79, 398-400, Notes CC, DD. Macduff, Lady, 61, 387, 391-2. Macduff, little, 393-5. Mackenzie, 91. Marston's possible reminiscences of Shakespeare's plays, 471-2. Measure for Measure, 76, 78, 275, 397. Mediaeval idea of tragedy, 8, 9. Melancholy, Shakespeare's representations of, 110, 121. See Hamlet. Mephistopheles, 208. Middleton, 466. Midsummer Night's Dream,390, 469. Monstrosity, idea of, in King Lear, 265 -6. Moral order in tragedy, idea of, 26, 31-9. Moulton, R. G., 40.
Negro? Othello a, 198-202.
Opening scene in tragedy, 43-4. Ophelia, 14, 61, 112, 160-5, 204, 399. See Hamlet. Othello, exposition, 44-5; conflict, 17, 18, 48; peculiar construction, 54-5, 64-7, 177; inconsistencies, 73; place among tragedies, 82, 83, 88; and Hamlet, 175-6; and King Lear, 176-7, 179, 181, 244-5, 441-3; distinctive effect, and its causes 176-80, accident in, 15, 181-2; objections to, considered, 183-5; point of inferiority to other three tragedies, 185-6; elements of reconciliation in catastrophe, 198, 242; other references, 9, 61, Notes I to R, and BB. Othello, 9, 20, 21, 22, 28, 29, 32, 176, 178, 179, 186-98, 198-202, 211, 212, Notes K to O.
Pathos and tragedy, 14, 103, 160, 203, 281-2; constructional use of, 60-1. Peele, 200. Pericles, 474. Period, Shakespeare's tragic, 79-89, 275-6. Pessimism, supposed, in King Lear, 275-9, 327; in Macbeth, 359, 393. Plays Shakespeare's, list of, in periods, 79. Plot 12. See Action, Intrigue. 'Poetic justice,' 31-2. Poor, goodness of the, in King Lear and Timon, 326. Posthumus, 21. Problems, probably non-existent for original audience, 73, 157, 159, 315, 393, 483, 486, 488. Prose, in the tragedies, 388, 397, 400.
Queen Gertrude, 104, 118, 134, 136-8. 161, 164, 166-8.
Reconciliation, feeling of, in tragedy, 31, 36, 84, 147-8, 174, 198, 242, 322-6. Regan, 299-300. Religion, in Edgar, 306, Horatio, 310, Banquo, 387. Richard II., 3, 10, 17, 18, 42. Richard II., 20, 22, 150, 152. Richard III., 3, 18, 42, 62, 82; and Macbeth, 338, 390, 395, 492. Richard III., 14, 20, 22, 32, 63, 152, 207, 210, 217, 218, 233, 301. Romeo and Juliet, 3, 7, 9, 15; conflict, 17, 18, 34; exposition, 41-5; crisis, 52; counter-stroke, 58. Rosencrantz and Guildenstern, 137, 405-6. Rules of drama, Shakespeare's supposed ignorance of, 69.
Salvini, 434.
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