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PAGE 498
Scenery, no, in Shakespeare's theatre, 49, 71, 451. Scenes, their number, length, tone, 49; wrong divisions of, 451. Schlegel, 82, 104, 105, 116, 123, 127, 254, 262, 344, 345, 413. Scot on Witch-craft, 341. Seneca, 389-90. Shakespeare the man, 6, 81, 83, 185-6, 246, 275-6, 282, 285, 327-30, 359, 393, 414-5. Shylock, 21. Soliloquy, 72; of villains, 222; scenes ending with, 451. Sonnets, Shakespeare's, 264, 364. Spedding, J., 255, 476, Note X. Stage-directions, wrong modern, 260, 285, 422, 453-6, 462. Style in the tragedies, 85-9, 332, 336, 357. Supernatural, the, in tragedy, 14, 181, 295-6, 331-2. See Ghost, Witch. Swinburne, A. C., 80, 179, 191, 209, 218, 223, 228, 231, 276-8, 431. Symonds, J. A., 10.
Tate's version of King Lear, 243, 251-3, 313. Tempest, 42, 80, 185, 264, 328-30, 469; Note BB. Theological ideas in tragedy, 25, 144, 147, 279; in Hamlet and Macbeth, 171-4, 439; not in Othello, 181, 439; in King Lear, 271-3, 296. Time, short and long, theory of, 426-7. Timon of Athens, 4, 9, 81-3, 88, 245-7, 266, 270, 275, 310, 326-7, 443-5, 460; Note BB. Titus Andronicus, 4, 200, 211, 411, 491. Toussaint, 198. Tragedy, Shakespearean; parts, 41, 51; earlier and later, 18, 176; pure and historical, 3, 71. See Accident, Action, Hero, Period, Reconciliation, etc. Transmigration of souls, 267. Troilus and Cressida, 7, 185-6, 268, 275-6, 302, 417, 419. Two Noble Kinsmen, 418, 472, 479.
Ultimate power in tragedy, 24-39, 171-4, 271-9. See Fate, Moral Order, Reconciliation, Theological.
Versification. See Style and Metrical tests. Virgilia, 387.
Witches, the, and Macbeth, 340-9, 362; and Banquo, 379-87. Wittenberg, Hamlet at, 403-6.
Yorkshire Tragedy, 10.
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